Digital Creativity is a major peer-reviewed journal at the intersection of the creative arts and digital technologies. It carries articles of interest to those involved in the practical task of making or using software for creative purposes. By the term ‘creative arts' we include such disciplines as fine art, graphic design, illustration, photography, printmaking, sculpture, 3D design, product design, textile and fashion design, film making, animation, games design, music, dance, drama, creative writing, poetry, interior design, architecture, and urban design. We also address technology-oriented disciplines such as artificial intelligence, computer-supported collaborative work, GPS systems, human-computer interaction, virtual and augmented reality.

The following list, while not exhaustive, indicates a range of topics that fall within the scope of the journal:

• New insights through the use of computers in the creative process
• The relationships between practice, research and technology
• The design and making of computer-based products and environments
• Digital technologies in the teaching of arts and design
• New relationships with audiences and the public
• Theoretical concepts (such as consciousness, narrativity, subjectivity, virtuality)

Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and refereeing by at least two referees.

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Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.