|
Word & Image Volume 22 Number 4 Mallarmé, Picasso and the aesthetic of the newspaper ‘A modern popular poem’: Stephane Mallarmé on the visual,
rhetorical and democratic potentials of the fin-de-siècle newspaper Alfred Robaut, Étienne Moreau-Nélaton, and Writing Corot The visual, the visionary and her viewer: media and presence in the Psalter
of Christina of Markyate (St Albans Psalter) Blank emblems: the vacant page, the interleaved book and the eighteenth-century
novel Ekphrasis as a shield: ekphrasis and the mimetic tradition Text and paratext in Mark Z. Danielewski’s House of Leaves Poliziano’s Kupris Anadyomene and Boticelli’s Birth of Venus Author Index to Volume 22 Word & Image Volume 22 Number 3 July-September 2006 Special issue : The Language of the object. Essays in Honor of Herbert L. Kessler.
Preface Word & Image Volume 22 Number 2 April-June 2006
The paradox of intersemiotic translation and the comic book: examples from Enki Bilal's Nikopol triology Word & Image Volume 22 Number 1 January-March 2006 Word & Image Volume 21 Number 4 October-December 2005 Word & Image Volume 21 Number 3 July-September 2005 Word & Image Volume 21 Number 2 April-June 2005 Special issue : Boundaries of Visual Images Boundaries of Visual Images : presentation. Word & Image Volume 21 Number 1 January–March 2005 Rembrandt’s metaphysical wit: The Three Trees and The Omval Word & Image Volume 20 Number 4 October–December 2004 On Leonardo not finishing: then and later Word & Image Volume 20 Number 3 July-September 2004 What Matters Word & Image Volume 20 Number 1 January–March 2004 Playing with animals: the visual context of an Arthurian manuscript
(Florence Palatino 556) and the uses of ambiguity Word & Image Volume 19 Number 3 July-September 2003 Talking to the eye: visuality in ancient rhetoric Henry Fuseli’s pragmatic use of aesthetics: his epic illustrations of
Macbeth Esprit carte´sien? Issues concerning the influence of Descartes on the
works of Nicolas Poussin A fly in the ointment: exploring the creative relationship between
William Blake and Thomas Gray Narrative and narrativity: a narratological reconceptualization and
its applicability to the visual arts Making nature culture’s other: nineteenth-century American
landscape painting and critical discourse Love and surrealism: Rene´ Magritte and Andre´ Breton in 1929 Paul Claudel on the poetry of seventeenth-century Dutch painting Visualizing Brunetto Latini’s Tesoretto in early Trecento Florence Word & Image Volume 19 Numbers 1 & 2 January-June 2003 Likeness in an Age of Mechanical Reproduction: Guest editors: Adrian W. B. Randolph and T. Barton Thurber The face is familiar: German Renaissance portrait multiples in
print and medals Portrait prints and codes of identity in the Renaissance: Hendrik
Goltzius, Justus Lipsius, and Michel de Montaigne Reflecting on the Turk in late sixteenth-century Venetian portrait
books Identity and the display of medaglie in Renaissance and Baroque
Europe Facing the text: author portraits in Florentine printed books,
1545–1585 The Jew and the worms: portraits and patronage in a sixteenthcentury
how-to manual Multiple personalities in Francesco Villamena’s portrait print of
Giovanni Alto dedicated to Cassiano dal Pozzo Original copies Word & Image Volume 17 Issue 3 2001 Visual typology: an ottonian example Le jeu de la vérité du faux et du fautif 'L'art verbal des poètes-peintres: the text/image problem in the context
of Blake's 'infant sorrow' as analysed by roma jakobson in L'art verbal des
poètes-peintres blake, rouseeau et klee' Las Meninas & the King's Two Bodies 'Semplice traduttore': Bellori and the parallel between poetry and
painting Parmigianino and andrea baiardi: figuring petrarchan beauty in
renaissance Parma Text in context: eloquent monuments and the Byzantine beholder 'Sticks and stones ... ': naming and name-calling in impressionist
imagery Kant & Cubism revisited The visual and the visionary: art and female spirituality in late
medieval Germany Das bild der stadt in der neuzeit 1400-1800 Word & Image Volume 17 Issue 1/2 2001 Introduction: the materiality of printed words and images The wages of war: battles, prints and entretreneurs in late
seventeenth-century venice On the threshold of print and performance how prints mattered to bodies
of/at work in molière's published corpus Curating the Renaissance body Commentary I Woodcuts for liturgical books published by LucAntonia Giunta in Venice,
1499-1501 [revised numbers of figures, January 2000] Notation of visual information in the earliest archeological scholarship Benito arias montano and the evolving notion of locus in
sixteenth-century printed books Commentary II: Henri zerner Poets in print: the case of herbert's temple 'Vivae dixisses virginis ora: The discourse of color in Hendrick
Goltzius' 'Pygmalion and the Ivory Statue' Commentary III & postscript Afterword: materiality and meaning Word & Image Volume 16 Issue 4 2000 In the face of beauty: camper, bell, reynolds, blake Mazeppa The art facsimile: Alfred Jarry and reproduction Who/what is the subject? representations of self in late
twentieth-century French art Writing and the in-between Shaping Modernism
alfred barr's genealogy of art The Panorama Vision and meaning in ninth-century Byzantium Illuminating the epic Word & Image Volume 16 Issue 3 2000 The gendered Paragone in late sixteenth-century art theory: Francesco
Bocchi and Pontormo's S. Lorenzo frescoes Only half saying it: max ernst and emblems Where has your beloved gone? : The staging of the Quaerere Deum on the
Murals of the Cistercian Convent at Chelmno Representing reality: G. E. Moore,Tonks, Victor Pasmore and others On the monstrous and the grotesque Word & Image Volume 16 Issue 2 2000 Manet, Baudelaire, and Hugo in 1862 Seers and seers not. John Martins Belshazzar's feast and the sublimation
of self Peter Milton's turn: an American printmaker marks the end of the
millenium Duchamp's Large Glass and Josipovici's Big Glass: 'No answer[...] because
no question' Visual and verbal communication in Francesco Pona's cardiomorphoseos
(1645) Word and Image publications received before December 31, 1999 225-226. Word & Image Volume 16 Issue 1 2000 The Image of History Editorial Histoire anecdotique--the people's history? Gros and Delaroche Resacralization through national history painting: the sacristy at Saint
Denis, 1811-1822 The invention of the secular devotion picture Ingres and the theatrics of history painting Delaroche's Cromwell and the historians The hidden name of our story Hayez and Delaroche Paul Delaroche's Italian Novicate Delaroche et la mort de la peinture Poussin's lesson representing representation in the romantic age Word & Image Volume 15 Number 4 October-December 1999 Ecrire le visage: Michaux, Blanchot, Klossowski, Genet Diderot's hieroglyph: myth of languages and birth of art ctiticism Material girls: Judith, Esther, narrative modes and models of
queenship in the windows of the Ste-Chapelle in Paris Oskar Kokoschka and Sigmund Freud: parallel logics in the
exegetical and rhetorical strategies of expressionism and
psychoanalysis Zipporah: a Ruskinian enigma appropriated by Marcel Proust Book reviews 395 Word & Image Volume 15 Number 3 July-September 1999 The walls of Ecbatana and the aging queen: notes toward an optics
of money Mantegna, Leonardo and the times of painting Manet's realism in Déjeuner sur l'herbe Vision and devotion in Jan vax Eyck's Virgin and Child with Canon
Joris van der Paele Order and fantasy: an interview with Aaron Siskind Vasari and the Historical Imagination 'To make the whole progress a lineall visible Demonstration': the
Journal of Edmund Dummer Book review 306 Word & Image Volume 15 Number 2 April-June 1999 An artist's self-fashioning: the forging of Charles Willson Peale Ekphrasis, history and value: Charles Ricketts's art criticism Words, index fingers, gaps: the critique of language in the late
poetry of William Carlos Williams and the conceptual art of Joseph
Kosuth Production, consumption and Purism: Juan Gris between Nord-Sud
and L'Esprit Nouveau On the meaning of style: Nicolò Circignani in Counter-
Reformation Rome The Deceptive images of Alfred Jarry: lost, found and invented
portraits by Beardsley, Rouseau and Rippl-Ronaï Word & Image Volume 15 Number 1 January-March 1999 Ekphrasis Editor: Mario Klarer Introduction Two Poems Ekphrasis ancient and modern: the invention of a genre Speaking for pictures: the rhetoric of art criticism Ekphrasis, or the archeology of historical theories of representation: Typographic ekphrasis: the description of typographic forms in the
nineteenth century Pictorial desires and textual anxieties: modes of ekphrastic
discourse in the nineteenth-century American culture Copied with a difference: ekphrasis in William Carlos Williams' Ekphrasis and textual consciousness Re-presenting representations: the landscape garden as a sight/site
of difference in Tom Stoppard's Arcadia Word & Image Volume:- 14 Issue:- 1 Publication Date : 11th March 1998 Title:
NOTE ON COVER AND CONTENTS Title: Roswitha Stewering: The relationship
between world landscape and Polia in the Hypnerotomachia
Poliphili Title: Dream space and masculinity Title: Promoting the past Title: The Hypnerotomachia Poliphili and the tomb
of Mausolue : Chapter III Title: Le Poliphile ou l'Ideé du jardin: pour
une analyse littéaire de l'esthétique colonnienne Title: Untangling the knot: garden design in
Francesco Colonna's hypnerotomachia poliphili Title: HP Special Issue: Experiencing gardens in
the Hypnerotomachia Polifili Title: Du Songe de Poliphile á l'Astrèe : Les
jardins d'Amour après le XVe siècle Title: HP Special Issue: The Hypnerotomachia
Polophili and the Elizabethan Landscape Entertainments Title: The Hypnerotomachia Poliphili as a Posiible Model for Topographical Interpretations of Rome in the Early 16th Century Authors: N. Temple. Pages 147-157. Title: The 'Hypnerotomachia Polophili' and renaissance egyptology Authors: Brian Curran. Pages 158-187. Title: Two Mantuan Fantasies: Lombardy in the
image of a garden and an architectural vertigo Title: HP Special Issue: Claude-Nicolas Ledoux
and the Hypnerotomachia Poliphili Title: Book Review:- The yoruba artist by.... R
Abiodun, HJ Drewal, J Pemberton Title: Book Review: Reading Iconotexts: From
Swift to the French Revolution Word & Image Volume:- 13 Issue:- 4 Publication Date : 21st November 1997 Title: Comics and the art
of moving pictures Title: Transforming text: Iago's infection in Welles'
Othello Title: To rise from generation: The sublime body in
William Blake's illuminated books Title: Gainsborough's Diversions Title: Naming and framing 'Nature' in Photographie
zoologique Title: Thomas Gainsborough and the picturesque sketch Title: Book review:- The unjustified text by.....
Andrew Lanyon Word & Image Volume:- 13 Issue:- 3 Publication Date : 9th September 1997 Title: 'Visable parlare':
The spoken word in fourteenth century italian painting Title: Rewriting History: Vasari's Life of Lorenzo
Ghiberti Title: From dionysus to 'Dionea': Vernon Lee's
portraits Title: The poetics of the rhebus: word, image and the
dynamics of reading in the poster of the 1920s and 30s Title: Duchamp from syntax to bride: Sa langue dans sa
joue Title: Ads - Part of our lives: Linguistic awareness of powerful advertising Authors: Eliza Kitis. Pages 304-313. Title: Review Essay:- L'imaginaire scientifique de
viollet-le-duc Word & Image Volume:- 13
Issue:- 2 Publication Date : 25th June 1997 Title: Genetic Criticism paper
1: Introduction Title: Genetic Criticism Paper 2: Slow Work in
Progress Title: Genetic Criticism paper 3: Horizons for Genetic
Studies Title: Genetic Criticisim paper 4: Margins Title: Genetic Criticisim paper 5: Word, pictorial
image and the genesis of writing in Valéry's Cahiers Title: Genetic Criticism paper 6: The graphic
accompaniment: Marginalia in the manuscripts Title: Genetic Criticism paper 7: The interaction of
verbal and pictorial elements in the genesis of
Delacroix's Sultan of Morocco Title: Genetic Criticism paper 8: The writing hand in
the mirror of the manuscript Title: Genetic Criticism paper 9: Des nombres dans les textes de picasso Authors: Christine Piot. Pages 203-215. Title: Genetic Criticism paper 10: Select Bibliography
Word & Image Volume:- 13 Issue:- 1 Publication Date : 10th April 1997 Title:
Henry Unton's little lives: inscription and suture in the
Elizabethan portrait. Title: Sibling rivalries: author and artist in
the earlier illustrated book. Title: Subversion through historical association:
Canova's Madame Mère amd the politics of napoleonic
portraiture Title: Urien l'innommable, gide l'insaisissable:
les noces difficiles du texte et de l'image. Title: Pipe dreams: Eternal recurrence and
simulacrum in Foucault's ekphrasis of magritte. Title: Mark Tobey, white writing for a
Janus-faced America. Title: Cultural autobiography and bricolage:
Claude Simon and Robert Rauschenberg. Title: Iconographic research in English
renaissance literature: a critical guide by P.M. Simonds Word & Image Volume:- 12 Issue:- 4 Publication Date : 26th November 1996 Title: Poussin and the
arts of history. Title: From the margins: the native American personage
in the cartouche and decorative borders of maps Title: Organicism against itself: cubism,
Duchamp-Villon and the contradictions of modernism. Title: 'Waging political babble': Susan Howe's visual
prosody and the politics of noise Volume:- 12 Issue:- 3 Publication Date : 18th September 1996 Title: The History of
Italian Renaissance Art Re-envisioned. Title: The art of making animals talk: constructions
of nature and culture in illustrations of the fables of
La Fontaine. Title: History, progress and industry: William Bell Scott's iron and coal Authors: R. Dare. Pages 274-279. Title: The never-ending story? : Two Martin
Chuzzlewits Title: Art, cinema and paristitution: social context
and visual narrative in impressionist art and new wave
cinema Title: On the redness of salmon bones, the
communicative potential of conger eels, and standing
tails of air: reading postmodern images Title: The floating world of Odilon Redon Title: Bronzino's chapel of Eleonora in the Palazzo
Vecchio by J. Cox-Rearick Title: Book reviews Title: The country house poem: A cabinet of
seventeenth-century estate poems and related items by A.
Fowler Title: Correspondence Volume:- 12 Issue:- 2 Publication Date : 11th June 1996 Title:
David's The oath of the Horatii as authoritarian fiction Title: Carving out a place: Gendered critical
descriptions of Camille Claudel and her sculpture Title: George Eliot, Julia Cameron, and William Henry
Fox Talbot: photography and Daniel Deronda Title: 'Entre quatre murs': Reverdy, Cubism, and the Space of Still Life Authors: J. Pap. Pages 180-196. Title: Some notes on irony in the visual arts and
music. The examples of Magritte and Shostakovich. Title: Spectatorship and the historicity of art.
Re-reading Alois Riegl's historical grammar of the fine
arts Title: Thirteen ways of looking at a virgin: Francis
Picabia's 'La Sainte Vierge' Volume:- 12
Issue:- 1 Publication Date : 30th April 1996 Title: Byzantine special issue - The word on the page Title: Byzantine special issue - Decorative systems in Byzantine manuscripts, and the scribe as artist: evidence from manuscripts in Oxford Authors: I. Hutter. Pages 4-22. Title: Byzantine special issue - Illuminating the
liturgical word: text and image in a decorated lectionary
(Mount Athos, Dionysiou monastery, cod. 587) Title: Byzantine special issue - Constantine's
problems: The making of the heavenly ladder of john
Climacus, Vat. gr. 394 Title: Byzantine special issue - When pictures speak:
the incorporation of dialogue in the ninth-century
miniatures of Paris.GR.510 Title: Byzantine special issue: 'Flete mecum': The
representation of the lamentation in Italian Romanesqu
art and drama Title: Byzantine special issue - Chaucer's monogram
and the 'Hoccleve Portrait' tradition Title: Image on the edge, the margins of medieval art by M. Camille Authors: E. Sniezynska-Stolot. Pages 143-146. Title: Likeness and presence: A history of the image
before the era of art by H.Belting Title: Visual polemics in the ninth-century byzantine
psalters by K. Corrigan |
|
