Ethnomusicology Forum

Tables of Contents

Volume 1 (1992)

Nick Gray, "Sulendra: an example of petegak in the Balinese gender wayang repertory,"1
David W. Hughes, "Thai music in Java, Javanese music in Thailand: two case studies," 17
Carole Pegg, "Mongolian conceptualisations of overtone singing ( xoomii)," 31
Jonathan Stock, "Contemporary recital solos for the Chinese two-stringed fiddle erhu," 55
Martin H. Stokes, "The media and reform: the saz and elektrosaz in urban Turkish folk music," 89
Carol Tingey, "Musical instrument or ritual object? The status of the kettledrum in the temples of central Nepal," 103
Iren Kertesz-Wilkinson, "Genuine and adopted songs in the Vlach Gypsy repertoire: a controversy re-examined," 111
Keith Swanwick, "Music education and ethnomusicology," 137

Volume 2 (1993)

Kenneth A. Gourlay, "Blanks on the cognitive map: unpredictable aspects of musical performance," 1
Gerry Farrell," The early days of the gramophone industry in India: historical, social and musical perspectives," 31
Carol Tingey, "Auspicious women, auspicious songs: Mangalini and their music at the court of Kathmandu 55
Martin Clayton, "Two gat forms for the sitar : a case study in the rhythmic analysis of North Indian music," 75
Lisha Li, "Mystical numbers and Manchu traditional music: a consideration of the relationship between shamanic thought and musical ideas," 99
Catherine T. Gray, "The Ugandan lyre endongo and its music," 117

Volume 3 (1994)

Suzel Ana Reily, "Musical performance at a Brazilian festival," 1
Henry Stobart, "Flourishing horns and enchanted tubers: music and potatoes in highland Bolivia," 35
Nathan Hesselink, "Kouta and karaoke in modern Japan: a blurring of the distinction between Umgangsmusik and Darbietingsmusik," 49
Tian Qing, "Recent trends in Buddhist music research in China," 63
Ian Woodfield, "Collecting Indian songs in 18th-century Lucknow: problems of transcription," 73
Richard Widdess, "Festivals of dhrupad in northern India: new contexts for an ancient art," 89

Volume 4 (1995)

Roderick D. Cannon, "What can we learn about piobaireachd?" 1
Frans Buisman, "Melodic relationships in pibroch," 17
Stuart Eydmann, "The concertina as an emblem of the folk music revival in the British Isles," 41 May McCann, "Music and politics in Ireland: the specificity of the folk revival in Belfast," 51
Carole Pegg, "Ritual, religion and magic in West Mongolian (Oirad) heroic epic performance," 77
Lucy Duran, "Birds of Wasulu: freedom of expression and expressions of freedom in the popular music of southern Mali," 101
Catherine Gray, "Compositional techniques in Roman Catholic church music in Uganda," 135

Volume 5 (1996)

Christopher Ballantine, "Joseph Shabalala: chronicles of an African composer," 1
Caroline Bithell, "Polyphonic voices: national identity, world music and the recording of traditional music in Corsica," 39
Martin Clayton, "Ethnographic wax cylinders at the British Library National Sound Archive: a brief history and description of the collection," 67
Kevin Dawe, "The engendered lyra: music, poetry and manhood in Crete," 93
Frederick Lau, "Forever red: the invention of solo dizi music in post-1949 China," 113
Tina Karina Ramnarine, "'Indian' music in the diaspora: case studies of 'chutney' in Trinidad and in London," 133

Volume 6 (1997)

Leonard Lewisohn, "The scared music of Islam: sama' in the Persian Sufi tradition," 1
Edward Ho, "Aesthetic considerations in understanding Chinese literati behaviour," 35
John G. Plemmenos, "The active listener: Greek attitudes toward music listening in the Age of the Enlightenment," 51
Risto Pekka Pennanen, "The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s," 65
John Baily, "The Naghma-ye kashal of Afghanistan," 117

Volume 7 (1998)

Tina K. Ramnarine, "'Brotherhood of the boat': musical dialogues in a Caribbean context," 1
Kevin Dawe, "Bandleaders in Crete: musicians and entrepreneurs in a Greek island economy," 23
Suzel Ana Reily, "The ethnographic enterprise: Venda girls' initiation schools revisited," 45
Laudan Nooshin, "The song of the nightingale: processes of improvisation in dastgah Segah (Iranian Classical Music)," 69, Note: corrected versions of Figs. 14-15 are here
Trevor Wiggins, "Techniques of variation and concepts of musical understanding in Northern Ghana," 117

Volume 8 (1999)

S. C. Lanier, "'It is new-strung and shan't be heard': nationalism and memory in the Irish harp tradition," 1
Stephen Jones, "Chinese ritual music under Mao and Deng," 27
Rafael Jose de Menezes Bastos, "The origin of 'samba' as the invention of Brazil (why do songs have music?)," 67
Elizabeth Mackinlay, "Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory," 97

Volume 9/1 (2000). Special Issue: "Brazilian Musics, Brazilian Identities."

Suzel Ana Reily, "Introduction: Brazilian musics, Brazilian identities," 1
Martha Tupinamba de Ulhoa, "Musica romantica in Montes Claros: inter-gender relations in Brazilian popular song," 11
Maria Elizabeth Lucas, "Gaucho musical regionalism," 41
Elizabeth Travassos, "Ethics in the sung duels of north-eastern Brazil: collective memory and contemporary practice," 61
Shuhei Hosokawa, "Singing contests in the ethnic enclosure of the postwar Japanese-Brazilian community," 95
Luiz Costa Lima Neto, "The experimental music of Hermeto Pachoal e Grupo (1981-93): a musical system in the making," 119

Volume 9/2 (2000)

Katherine Brown, "Reading Indian music: the interpretation of seventeenth-century European travel-writing in the (re)construction ofIndian music history," 1
Ameneh Youssefzadeh, "The situation of music in Iran since the Revolution: the role of official organizations," 35
Henry Stobart and Ian Cross, "The Andean anacrusis? Rhythmic structure and perception in Easter songs of northern Potosi, Bolivia," 63
David W. Hughes, "No nonsense: the logic and power of acoustic-iconic mnemonic systems," 93
Hae-Kyung Um, "Listening patterns and identity of the Korean diaspora in the former USSR," 121

Volume 10/1 (2001): Special Issue: "Music & Meaning."

Martin Clayton, "Towards a theory of musical meaning (in India and elsewhere)," 1
Timothy Rice, "Reflections on music and meaning: metaphor, signification and control in the Bulgarian case," 19
Frank Kouwenhoven, "Meaning and structure: the case of Chinese qin (zither) music," 39
Anna Morcom, "An understanding between Bollywood and Hollywood? The meaning of Hollywood-style music in Hindi films," 63
Jochen Eisentraut, "Samba in Wales, making sense of adopted music," 85
Gregory F. Barz, "Meaning in benga music of western Kenya," 107

Volume 10/2 (2001)

Jaco Kruger, "Playing in the land of God: musical performance and social resistance in South Africa," 1
Katy Radford, "Drum rolls and gender roles in Protestand marching bands in Belfast," 37
Jan Sverre Knudsen, "Dancing cueca 'with your coat on': the role of traditional Chilean dance in an immigrant community," 61
John Baily, "Learning to perform as a research technique in ethnomusicology," 85
Yeonok Jang, "P'ansori (Korean narrative song) performance style: audience responses and singers' perspectives," 99

Volume 11/1 (2002): Special Issue: "Red Ritual."

Rachel Harris and Barley Norton, "Introduction," 1
Jonathan Ritter, "Siren songs: ritual and revolution in the Peruvian Andes," 9
Katherine J. Hagedorn, "Long day's journey to Rincon: from suffering to resistance in the procession of San Lazaro/Babalu Aye," 43
Barley Norton, "'The Moon Remembers Uncle Ho': the politics of music and mediumship in northern Vietnam," 71
Rachel Harris and Rahila Dawut, "Mazar festivals of the Uyghurs: music, Islam and the Chinese State," 101
Hwee-San Tan, "Saving the soul in Red China: music and ideology in the Gongde ritual of merit in Fujian," 119
Judit Frigyesi, "The Jewish service in Communist Hungary: a personal journey," 141

Volume 11/2 (2002)

Donna Buchanan, "Soccer, popular music and national consciousness in post-state-socialist Bulgaria 1994-96," 1
Gerry Farrell, "The Senia style of sitar playing in contemporary India," 29
Stephen Cottrell, "Music as capital: deputizing among London's freelance musicians," 61
Chou Chiener, "Learning processes in the nanguan music of Taiwan," 81
Christine Lucia, "Abdullah Ibrahim and the uses of memory," 125

Volume 12/1 (2003): Special issue: Fieldwork Impact

Timothy Cooley, "Theorizing fieldwork impact: Malinowski, peasant-love, and friendship," 1
Ruth Hellier-Tinoco, "Experiencing people: relationships, responsibility and reciprocity," 19
Richard Jones-Bamman, "Following in the footsteps of a giant," 35
Nadia Maryniak-Halstead, "Ethnographic reflections," 55
Caroline Bithell, "On the playing fields of the world (and Corsica): politics, power, passion and polyphony," 67
Goffredo Plastino, "Fifteen fragments on my (field)work)," 97
Lillis O Laoire, "Fieldwork in common places: an ethnographer's experiences in Tory Island," 113
Helen Rees, "The age of consent: traditional music, intellectual property and changing attitudes in the People's Republic of China," 137