Historical Journal of Film, Radio and Television

VOLUME 18  Number 4  October 1998

SPECIAL ISSUE: HANNS EISLER AND FILM MUSIC

Guest Editor: Albrecht Dümling

Introduction. Hanns Eisler (1898–1962): the politically engaged composer/David Culbert/page 493

A Source is Revealed: a conversation with Jorvis Ivens about Hanns Eisler (1972)/Albrecht Betz/page 503

Hanns Eisler‘s Chamber Symphony op. 69 as Film Music for White Flood (1940)/Tobias Fasshauer/page 509

Hanns Eisler‘s Contribution to the New Deal: The Living Land (1941)/Volker Helbing/page 523

Composing for the Films (1947): Adorno, Eisler and the sociology of music/Martin Hufner/page 535

The Reconstruction of Eisler‘s Film Music: Opus III, Regen and The Circus/Berndt Heller/page 541

Eisler as Hollywood Film Composer, 1942–1948/Horst Weber/page 561

Hangmen Also Die (1943): Hollywood‘s Brecht–Eisler collaboration/Jürgen Schebera/page 567

Eisler‘s Music for Resnais‘ Night and Fog (1955): a musical counterpoint to the cinematic portrayal of terror/Albrecht Dümling/page 575

Solidarity Song: The Hanns Eisler Story (1996): some comments from the filmmaker/Larry Weinstein/page 585

DOCUMENTS
Film Music—work in progress (1941)/Hanns Eisler/page 591
Final Report on the Film Music Project on a Grant by the Rockefeller Foundation (1942)/Hanns Eisler/page 595

Women First: Titanic (1997), action-adventure films and Hollywood‘s female audience/Peter Krämer/page 599

BOOK REVIEWS/page 619

NOTICE
XVIIII AMHIST Congress, University of Leeds, UK, 14–17 July 1999/page 645

Title Page and Contents, VOLUME 18,1998/page 647

Historical Journal of Film, Radio and Television

VOLUME 18  Number 3  August 1998

History on Television: the making of Cold War, 1998/Taylor Downing/page 325

Film ‘Hits’ and ‘Misses’ in Mid-1930s Britain/John Sedgwick/page 333

The BBC Hungarian Service and the Final Solution in Hungary/Gabriel Milland/
page 353

Early Children’s Broadcasting in Britain: programming for a liberal
democracy/David Oswell/page 375

‘Just for Kids?’: Saturday morning cinema and Britain’s Children’s Film
Foundation in the 1960s/Rowana Agajanian/page 395

Frieda Hennock: FCC activist and the campaign for educational television,
1948–1951/Susan L. Brinson/page 411

REVIEW ESSAYS
Mishegoss: Schindler’s List, Holocaust representation and film history/Frank Manchel/page 431

‘The Land of Milk and Honey’: anti-Nazi refugees in Hollywood/Saverio Giovacchini/page 437

BOOK REVIEWS/page 445

Historical Journal of Film, Radio and Television

VOLUME 18  Number 2  June 1998

SPECIAL ISSUE: AUDIOVISUAL MEDIA IN FRANCE

Guest Editor:Pierre Sorlin

Introduction/Pierre Sorlin/page 165

The Origin of the French Film Quota Policy Controlling the Import of American Films/Jens Ulff-Møller/page 167

‘Stop the Rural Exodus’: images of the country in French films of the
1950s/Pierre Sorlin/page 183

Television, Family and Society in France, 1949–1968/Marie-Françoise Lévy/
page 199

Thirty Years of French Political Television/Sheila Perry/page 213

Censorship and Television in France/Jérôme Bourdon/page 231

From the Empire’s ‘Second Greatest White City’ to Multicultural Metropolis: the marketing of Sydney on film in the 20th century/Rosaleen Smyth/page 237

Balkan Film Representations since 1989: the quest for admissibility/Dina Iordanova/page 263

Images of Trust, Economies of Suspicion: Hong Kong media after 1997/
Michael Curtin/page 281

REVIEW ESSAY
Satellites, Rocketry, Security and Space Policy: a comparative history?/James Schwoch/page 295

BOOK REVIEWS/page 301

Historical Journal of Film, Radio and Television

VOLUME 18  Number 1  March 1998

Breaking the German Will to Resist, 1944–1945: allied efforts to end World War
II by non-military means/Philip M. Taylor & N.C.F. Weekes/page 5

Missing Action: POW films, brainwashing and the Korean War,
1954–1968/Charles S. Young/page 49

The Manchurian Candidate (1962) and the Cold War Brainwashing Scare/Susan L. Carruthersl/page 75

Television Covers the 1952 Political Conventions in Chicago: an oral history interview with Sig Mickelson/Jay Perkins/page 95

After the Fall: revisioning the Cold War—a report on the XVIIth IAMHIST Conference, 25–31 July 1997, Salisbury, MD/John C. Tibbetts/page 111

FORUM
Copyright, Education and Social Responsibilities/Richard A. Etlin/page 123

COMMENT
IAMHIST–Carfax Prize for Outstanding Articles/page 129

REVIEW ESSAY
Orientalism Lite/Sumiko Higashi/page 131

BOOK REVIEWS/page 137

Historical Journal of Film, Radio and Television

VOLUME 17  Number 4  October 1997

SPECIAL ISSUE: THE BATTLE FOR BRITAIN: POLITICAL BROADCASTING AND THE BRITISH ELECTION OF 1997

Guest Editor: Nicholas J. Cull

Introduction: the battle for Britain—political broadcasting and the British election of 1997/Nicholas J. Cull & Richard Howells/page 437

The Labour Party/Richard Howells/page 445

‘Imagine if Labour won the election’: the Conservative Party’s political broadcasts/Peter Catterall/page 453

The Conservative Party’s 1997 Party Election Broadcasts in Historical Context/Michael David Kandiahl/page 459

The Liberal Democrats/Graham Roberts/page 463

Wales: Plaid Cymru in 1997/Susan Carruthers/page 469

‘Love not Fear’: the Scottish National Party broadcasts, 1997/Stephen Hay/page 471

The Broadcast Media in Northern Ireland/Alan Finlayson/page 477

American Influences; the cult of spin/Robin Brown/page 481

‘Race’/Ian Law/page 485

The Referendum Party’s Video Mailer Strategy/David Hass/page 489

The UK Independence Party/Kate Morris/page 501

The Socialist Labour Party/Graham Roberts/page 505

The Natural Law Party/Nicholas J. Cull/page 507

The Green Party/Nicholas J. Cull/page 511

Censored! The Prolife Alliance/Nicholas J. Cull/page 515

Manufacturing Voter Confidence: a video analysis of the American 1976 presidential and vice-presidential debates/Christopher A. Maynard/page 523

Broadcasting and Politics: Chinese television in the Mao Era, 1958–1976/Yu Huang & Xu Yu/page 563

REVIEW ESSAY
Religious Film and Video in Italy: Father Pio: the night of the prophet (1996)/Lia Beltrami/page 575

Title Page and Contents, VOLUME 17,1997/page 577

MICROFICHE SUPPLEMENT
[The microfiche supplement is located on the inside back cover of the journal]

Historical Journal of Film, Radio and Television

VOLUME 17  Number 3  August 1997

'Have You Seen the Gaekwar Bob?': filming the 1911 Delhi Durbar/Stephen Bottomore/page 309

NBC's Project XX: television and American history at the end of ideology/
Daniel Marcus/page 347

The BBC and the Birth of The Wednesday Play, 1962-66: institutional
containment versus 'agitational contemporaneity'/M. K. MacMurraugh- Kavanagh/page 367

No Laughing Matter: Vaughn Meader, the Kennedy administration, and
presidential impersonations on radio/Nicholas J. Cull/page 383

NOTE
Albert E. Hemsing (1921-1997)/David Culbert/page 401

COMMENT
Changes in Editorial Board/page 403

BOOK REVIEWS/page 405

Historical Journal of Film, Radio and Television

VOLUME 17  Number 2  June 1997

RAF Bomber Command's Target for Tonight (1941)/K. R. M. Short/page 181

The Royal Air Force Film Production Unit, 1941-45/Keith Buckman/page 219

Losing and Finding John Ford's Sergeant Rutledge (1960)/Frank Manchel/page 245

COMMENT
The Heinrich Hoffmann Photo Archive: Price vs United States (United States
Court of Appeals, Fifth Circuit, 20 November, 1995)/David Culbert/page 261

REVIEW ESSAY
XV. Il Giornate del Cinema Muto, Pordenone, 12-20 October 1996/
Jan-Christopher Horak/page 263

BOOK REVIEWS/page 267

NOTICE
XVII IAMHIST Congress, Salisbury, MD, 26-31 July 1997/page 295

MICROFICHE SUPPLEMENT
[The microfiche supplement is located on the inside back cover of the journal]

Historical Journal of Film, Radio and Television

VOLUME 17  Number 1  March 1997

Cinema, Spectatorship and Propaganda: Battle of the Somme (1916) and its contemporary audience/Nicholas Reeves/page 5

The Emergence of Broadcast Advertising in Canada, 1919-1932/Russell Johnston
/page 29

The British Film Industry's Production Sector Difficulties in the Late 1930s/John Sedgwick/page 49

Broadcasting to Latin America: reconciling industry-government functions in the pre-Voice of America era/ Michael B. Salwen/page 67

The Voice of America, US Propaganda and the Holocaust: 'I would have remembered'/Holly Cowan Shulman/page 91

FORUM

REVIEW ESSAY
Michael Rogin on Race, Gender and Film History/Frank Manchel/page 137

BOOK REVIEWS/page 145

Historical Journal of Film, Radio and Television

VOLUME 16  Number 4  October 1996

Nazi Documentaries of Intimidation: Feldzug in Polen (1940), Feuertaufe (1940)
and Sieg im Westen (1941)/Thomas Sakmyster/page 485

Veit Harlan and the Origins of Jud Süss, 1938-1939: opportunism in the creation
of Nazi anti-Semitic film propaganda/Susan Tegel/page 515

'The Yanks Are Shown to Such Advantage': Anglo-American rivalry in the
production of The True Glory (1945)/James Chapman/page 533

'On Her Side': female images in Italian cinema and the popular press,
1945-1955/Luisa Cicognetti & Lorenza Servetti /page 555

DOCUMENT
The Aileen and Michael Balcon Special Collection: an introduction to British
cinema history, 1929-1960/Janet Moat/page 565

FORUM

BOOK REVIEWS/page 587

NOTICE
XVII IAMHIST Congress,Salisbury, MD, 26-31 July 1997/page 595

Title Page and Contents, VOLUME 16, 1996/page 597

MICROFICHE SUPPLEMENT
[The microfiche supplement is located on the inside back cover of the journal]

Historical Journal of Film, Radio and Television

VOLUME 16  Number 3  August 1996

Shanghai Document-Shankhaiskii Dokument (1928): Soviet film propaganda
and the Shanghai rising of 1927/Nicholas J. Cull & Arthur Waldron/page 309

Michael Balcon's Close Encounter with the American Market, 1934-1936/
John Sedgwick/page 333

The Blue Division in Russia, 1941-1944: the filmic recycling of Fascism as
anticommunism in Franco's Spain/Sergio Alegre/page 349

Canada's Moose River Mine Disaster (1936): radio-newspaper competition in
the business of news Jeff A. Webb/page 365

FORUM

Statements by 'Educators' Library of Congress Hearings, Los Angeles,New York
City, and Washington, DC, March 1996

The Case for Preserving our Contemporary Communications Heritage/Philip M. Taylor/page 419

COMMENT
Changes in Editorial Board and IAMHIST Newsletter/page 425

DOCUMENT
Television is a Funny Business (1946): a collection of cartoons assembled by
Dr Allen B. DuMont and privately printed for his friends/David F. Donnelly &
Janis L. Edwards/page 427

BOOK REVIEWS/page 445

Historical Journal of Film, Radio and Television

VOLUME 16  Number 2  June 1996

Press Pools and Military-Media Relations in the Gulf War: a case study of the
Battle of Khafji, January 1991/David H. Mould/page 133

The BBC's Kentucky Minstrels, 1933-1950: blackface entertainment on British
Radio/Michael Pickering/page 161

Cold War Radio in Crisis: the BBC Overseas Services, the Suez Crisis and the
1956 Hungarian uprising/Gary David Rawnsley/page 197

Community Radio in Sandinista Nicaragua, 1979-1992: participatory
communication and the revolutionary process/Robbin D. Crabtree/page 221

The New Zealand Film Commission: promoting an industry, forging a national
identity/Gregory A. Waller/page 243

FORUM
That Most Irritating Question: images and reality/Pierre Sorlin/page 263

Image and Reality: the real story/Bill Nichols/page 267

Film Realism: a comment/Garth Montgomery/page 269

COMMENT
The Demise of the 16 mm Projector?/David Culbert/page 273

REVIEW ESSAY
Early Cinema in Russia and America/Denise J. Youngblood/page 275

BOOK REVIEWS/page 279

Historical Journal of Film, Radio and Television

VOLUME 16 Number 1 March 1996

SPECIAL ISSUE: AMERICAN FILM AND TELEVISION ARCHIVES

Guest Editor: Daniel J. Leab

Introduction/Daniel J. Leab/page 5

Proposal for Establishing an Archive for Moving Pictures (1912)/Franz Goerke/
page 9

The Walt Disney Archives: it all started with a mouse/David R. Smith/page 13

Center for Motion Picture Study. The Margaret Herrick Library and the Academy
Film Archive/Linda Harris Mehr/page 19

The Fantasy Foundation/Forrest J. Ackerman/page 27

The Robert and Frances Flaherty Study Center at Claremont/Jack Coogan//page 33

The Pacific Film Archive/Pacific Film Archive Staff/page 39

The Motion Picture, Broadcasting and Recorded Sound Division, Library of
Congress/Cooper Graham/page 43

Motion Pictures, Videotapes and Sound Recordings at the National
Archives/Frank H. Serene/page 55

National Library of Medicine Audiovisuals Collections/Sarah L. Richards & Lori J. Klein/page 69

The Archives Center of the National Museum of American History/
Wendy Shay/page 73

Human Studies Film Archives, National Museum of Natural History/Pamela Wintle/page 77

Vanderbilt Television News Archive/John Lynch/page 81

The Tamiment/Wagner Moving Images Collection/Erika Gottfried/page 85

Anthology Film Archives/Robert Haller/page 89

Northeast Historic Film/Karan Sheldon/page 93

The Fortunoff Video Archive for Holocaust Testimonies/Joanne W. Rudolf/
page 99

REVIEW ESSAY
Hollywood Censored: morality codes, Catholics and the movies, by Gregory D. Black/Lea Jacobs/page 103

BOOK REVIEWS/page 109

NOTICE
XVII International IAMHIST Conference, Washington, DC/Salisbury, MD/
page 123